"We Are the Eight Percent": Inside Egypt's Underground Shaabi Music Scene

By Soraya Morayef Jadaliyya, 29 May 2012   In the heated den of the Greek Club on Emad el-Din Street in downtown Cairo, sweating bodies heave and move to the infectious reggaeton fused with a tabla beat, as Amr Haha, DJ Figo, and Sadat swing their mics back and forth, bantering, ad-libbing, and cheering. One takes a swig out of his

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Gender, Nation, and the Arabic Novel: Egypt, 1892-2008

By Hoda Elsadda Edinburgh University Press Publication Date: Jul 2012 Dimensions: 234 x 156 mm Extent: 304 pages Series: Edinburgh Studies in Modern Arabic Literature A nuanced understanding of literary imaginings of masculinity and femininity in the Egyptian novel Gender studies in Arabic literature have become equated with women’s writing, leaving aside the possibility of a radical rethinking of the Arabic

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Imaging the "New Man": Gender and Nation in Arab Literary Narratives in the Early Twentieth Century

Hoda Elsadda From: Journal of Middle East Women’s Studies Volume 3, Number 2, Spring 2007 pp. 31-55 Abstract The emergence of the New Woman in Egypt as a central trope in the nationalist narrative of nation-building and modernity has been the subject of scholarly interest for more than a decade, yet there has been little research on her logical counterpart: the

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Gallows Humor: Political Satire in Sisi’s Egypt

Guernica, 15 May 2014 By Jonathan Guyer The country’s cartoonists find creative ways to defy censors. His face is almost everywhere. With a stoic gaze and a stately uniform, Field Marshal Abdul-Fattah Al-Sisi looks out from magazine covers displayed at Cairo’s corner newsstands and posters decorating gas stations in sleepy Red Sea towns. Following the military’s ouster of the Muslim

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Picturing Egypt’s Next President

22 May 2014, The New Yorker By Jonathan Guyer Everybody knows who Egypt’s next President will be. Elections are scheduled for May 26th and 27th, almost a year after Mohamed Morsi was ousted in a coup led by the retired general Abdel Fattah Al-Sisi, in what has been painted as a second revolution. With campaigning in overdrive, Sisi met with

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Fiction and Colonial Identities: Arsène Lupin in Arabic

Middle Eastern Literatures Volume 13, Issue 2, 2010, pages 191-210 Special Issue:   Arabic Literature in Egypt at the Beginning of the 20th Century in Search of New Aesthetics: Al-Muwaylihi and Contemporaries DOI:  10.1080/1475262X.2010.487317 Samah Selim Along with Ponson du Terrail’s Rocambole and Arthur Conan Doyle’s Sherlock Holmes, Maurice Leblanc’s Arsène Lupin is one of the most famous popular fiction figures in the

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11 Rules and 3 Award-winning Translations from Samah Selim

BY MLYNXQUALEY on MARCH 8, 2012 • ( 2 ) The “10 rules” series resumes with award-winning translator Dr. Samah Selim. Eleven Rules 1. Think about register. Every essay, novel or story projects a particular and unique language register. A really important part of translating fiction is capturing and rendering that register in English. It’s easy to fall into the trap of overly stiff or archaic prose on

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Who do stories belong to?

Samah Selim re-maps the journey of the early Arab novel Friday, March 6, 2015 By Laura Gribbon, Jadaliyya Do stories need authors? Are texts fixed? Is adaptation a form of translation? These are some of the questions Professor Samah Selim has been considering in her study of Egyptian periodical Musamarat al-Shaab (The People’s Entertainment), and she raised them during a talk at the

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A New Feminist Movement? Middle Eastern Hijabis as Superheroes

Aquila By Women’s Voices Now, Wednesday, 18th February 2015   In the late 1980s, feminism in the Middle Eastern and North African (MENA) context gained prominence in international debate. Research addressed “the status of women in Muslim countries through two frames: the inhibiting effects of Islam and the potential for reform through norms building.” Many contemporary scholars concluded, “Islam, specifically the prevailing

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