Oppression is not a point of view
Posted by: Karen Eng September 7, 2012 TED Blog When art historian and scholar of Arabic script Bahia Shehab was asked to create a piece commemorating the centenary of the first exhibition on Islamic art in Europe, little did she know that the Egyptian revolution would ultimately transform her into a street artist and activist with a powerful and subtle voice of protest.
» Read moreBy Bahia Shehab, Citysharing The streets of Cairo have become an open gallery to many artists wishing to express their views, dreams and hopes for a better Egypt. Artists are using the walls of the city to tell their stories, to lament the death of martyrs and to call for political and social change. Thus each painted wall acquires a life of its
» Read moreFilmed June 2012 Subtitles available in 36 languages Art historian Bahia Shehab has long been fascinated with the Arabic script for ‘no.’ When revolution swept through Egypt in 2011, she began spraying the image in the streets saying no to dictators, no to military rule and no to violence. Interactive transcriptInteractive transcript TED Fellow Bahia Shehab sends an
» Read morePublished on Mar 22, 2013 Egypt’s January 25 revolution helped bring out the best in raw and potent urban arts, most of all in the graffiti scene in Cairo. This short video gives a brief glimpse into the always evolving street art scene that has gone from strength to strength and become a valuable component in the creative resistance
» Read moreAfricaseen blog, 2nd April 2013 by Susan Phillips While Soraya Morayef identifies herself as a writer and journalist, I see her through a different lens, as an artist and archivist. Through her photo blog documenting the extraordinary explosion of street art in Egypt following the initial Tahrir Square protests of January 2011, Morayef has captured, framed, and contextualized a fleeting moment in Egypt’s
» Read more28 March 2013, africaisacountry.com Mickey Mouse is pulling apart a bomb: inside is the torso of George W. Bush, and they’re both looking perfectly happy about the whole thing. Soraya Morayef is taking a photo of the wall where these figures are painted, on a busy street in downtown Cairo, when a man walks up to her and asks her
» Read moreBy Soraya Morayef Open Democracy, 25 March 2014 The author reviews the only documentary released to-date of the people’s uprising in Egypt until the fall of Mohamed Morsi on 3 July 2013. There is no such thing as a comprehensive narrative of the Egyptian revolution. Anyone attempting such a thing will most likely fail, as the complex evolution of a
» Read moreBy Soraya Morayef Open Democracy, 13 November 2013 Many disregard the recurrent stories of prison deaths, police torture and rape because – on the other hand – Egypt’s streets are empty after curfew and the walls are freshly painted; surely a clear indication that the state has succeeded in restoring security and defeating terrorism. On Tuesday November 5, Egypt’s Minister
» Read moreBy Soraya Morayef Jadaliyya, 22 May 2012 Around the corner from Tahrir Square, the heart of Egypt’s eighteen-day uprising, Mohamed Mahmud Street bears the scars of a turbulent political year in Egypt. The once-bustling street off of Tahrir Square has seen its share of violent battlefields–beginning with 28 January 2011 and ending with the February 2012 clashes following the Port
» Read moreAl Jazeera English Uploaded on Nov 26, 2011 The Supreme Council of the Armed Forces is now the target of the country’s revolution movement.
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